| Hollywood - Halle and
Denzel? History making. Whoopi? Funny, but not enough screen
time. No major awards for ''Moulin Rouge''? Proof there is a
God. Duration? Bladder wracking--broke the 1999 record for the
longest Oscar telecast. But all of that pales in comparison to
the other important Oscar category: the fashions.
Yes, there were plenty of hits and misses crossing the red
carpet. Diamonds were in--around necks, on dresses, and even
on shoes (hope nobody stepped on Laura Elena
Harring's [Mulholland Drive] $1 million
sandals). Many of the men chose regular ties over bow ties,
and Sir Ian McKellen prominently
displayed the gem pendant everyone received for Lord Of
The Rings.
Not-so-great trends included just-fell-out-of-bed hair
(Cameron Diaz, Julia
Roberts), way-too-pale gowns
(Jennifer Connelly,
Jennifer Lopez, Nicole
Kidman) or black (Julia
Roberts, Sandra
Bullock), and just some "what were they
thinking?", poorly chosen items. But hey, it wouldn't be the
Oscars without some dead swan around some starlet's neck.
Ooohs:
Halle Berry was the
hit of the night for her outfit as well as her Best Actress
win, with her split-personality sheer-top, wine-colored
satin-bottom gown.
Jodie Foster won raves for
skipping her usual pantsuit in favor of a slinky gold dress
(although it seemed to be slinking down the front of her).
Thumbs up for Julia Roberts'
black, understated dress that seemed to have been altered by
Edward Scissorhands.
Denzel Washington's wife,
Paulette, was stunning in a lavender
strapless sheath.
Opinions were split on Jennifer
Lopez's pale, pale pink gown that squashed her
assets that were so prominently displayed at last year's
Oscars, but the dress was cute and did fit her well. Another
story: her hair, which seemed to have been attacked by a band
of rabid rollers.
Opinions were also split on the black-gown brigade,
although Marisa Tomei's,
Sandra Bullock's, and
Reese Witherspoon's ebony gowns did
old-fashioned Hollywood glamour justice. Renee
Zellweger's lovely satin strapless number was a
deep purple--a shame the color was lost on TV.
Ewwws:
Cameron, Cameron,
Cameron...what were you thinking? Someone in the eonline.com
chat room said Cameron Diaz looked
like Mrs. Roper from Three's Company with her
flowered, wrap-around, pink and red ensemble--there's no
better description.
Gwynnie, Gwynnie, Gwynnie...no, honey. The raccoon eyes and
sheer, bunched top that did not define what
Gwyneth Paltrow had might be all
right for club hopping, but not for the Oscars. Word has it
the cameraman had to do a "Jennifer Lopez" and shoot her from
the neck up when she was presenting.
Uma Thurman let it all hang out;
although the satin gown was lovely, there was a bit too much,
too bare, too pneumatically horizontal, up top. At least hubby
Ethan Hawke had a place to put his
champagne glass at the after parties.
The music folk didn't handle things very well,
either--Faith Hill showed up in a
frothy, sherbet-colored mermaid thing that she (thank
goodness) swapped for a beautiful (and sedate) black number
for her performance. Paul
McCartney's fiancee, Heather
Mills, also failed with a lace two-piece showing
plenty of skin. It wouldn't have been a blip on the radar
screen at the Grammys...but the Oscars? No.
And Sally Kirkland arrived in a
set of Austrian curtains with adjustable gathers. Thank
goodness she didn't get any screen time after her red-carpet
arrival.
Eat Something, Honey:
And the 2002 Skeletor award goes to...Jennifer
Connelly by a landslide, especially with her
very bony shoulders shown off above her slipping beige
ruffles.
However, close runners up were Kirsten
Dunst, whose hips jutted out at the edges of her
otherwise pretty beaded gown, and Renee
Zellweger, who should get a little closer to her
Bridget Jones size--that was not fat.
All winners of the Skeletor award will receive a lifetime
supply of Big Macs.
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